3.10.12
Together they swim swiftly
If guitar indicates penis, then the bass must be the vagina.
Together they swim swiftly.
23.7.12
Study2 under the typhoon no.9
" I would like to make sense of the work by sensing the work."
-Olafur Eliasson
-Olafur Eliasson
thoughts under typhoon signal No.9
I thought light is already quite 'formless' as a medium in art.
After reading the latest review of the new Turbine Hall( The Unilever series) association in Tate Modern, i can't wait to go there and this time, not just sitting on the cold concrete floor but walking with the artwork and listening to it.
Tino Sehgal is the first artist who brings intangible works- stories to the great big inspiring space, he has performers to be the stories teller, to every visitor.
Usually we view works either in the hall or stand right back on the balcony, taking an example of the last piece- a massive vertical projection to show tributes to a dying medium- film, by Tacita Dean, visitors sat or stood in front it while viewing, children bouncing around happily, couples embracing with arms around each others. Audiences became part of the work when they were viewed from the above; but still we were looking at the same direction, viewing a tangible artwork. To compare with Sehgal's work, it is very confusing to define what and where is the artwork. He takes the idea of interaction of individual and groups to the maximum, with very simple material, us- humans, the audiences. We are the artwork. We are the subject and so the object. Visitors go in and the story teller without any hints of identification approaches, telling you his most personal story, asking you questions like' When did you feel a sense of belonging?', these interesting encounters will surely make me think of a doing a proper self reflection. Knowing a bit of the artist's background, who has been living in a foreign country for many years, similarly to the fact that i had spent few years in the UK, well only for studying, i got attached to his straight away. Thinking I was leaving my own motherland, sitting in the coach station when waiting for the bus to Nottingham with absolute anxiety and shivering because of the temperature difference, but very soon i saw many people there were just like me. The emptiness was getting much greater, and as if there was a sound behind me telling to get use to the fact or you will have to suffer more.
I really enjoy spending an afternoon in the Southbank, let alone the Tate modern. Although it is getting much commercial, this thought is apparently came from the two popular solo exhibitions there( Yayoi Kusama and Damien Hirst), it still has a space to the public to get in touch with art( like the new space, tank), and most importantly for free. I was reminded HK is attempting to create a cultural space which is reference to the Southbank, for sure I have only disappointment and no expectation at all. Seeing those extremely tall luxury residences are being built up rapidly in such small city, art is seemingly the last thing to think about. I wonder how i can take a break or some fresh air between those skyscrapers here.
After reading the latest review of the new Turbine Hall( The Unilever series) association in Tate Modern, i can't wait to go there and this time, not just sitting on the cold concrete floor but walking with the artwork and listening to it.
Tino Sehgal is the first artist who brings intangible works- stories to the great big inspiring space, he has performers to be the stories teller, to every visitor.
Usually we view works either in the hall or stand right back on the balcony, taking an example of the last piece- a massive vertical projection to show tributes to a dying medium- film, by Tacita Dean, visitors sat or stood in front it while viewing, children bouncing around happily, couples embracing with arms around each others. Audiences became part of the work when they were viewed from the above; but still we were looking at the same direction, viewing a tangible artwork. To compare with Sehgal's work, it is very confusing to define what and where is the artwork. He takes the idea of interaction of individual and groups to the maximum, with very simple material, us- humans, the audiences. We are the artwork. We are the subject and so the object. Visitors go in and the story teller without any hints of identification approaches, telling you his most personal story, asking you questions like' When did you feel a sense of belonging?', these interesting encounters will surely make me think of a doing a proper self reflection. Knowing a bit of the artist's background, who has been living in a foreign country for many years, similarly to the fact that i had spent few years in the UK, well only for studying, i got attached to his straight away. Thinking I was leaving my own motherland, sitting in the coach station when waiting for the bus to Nottingham with absolute anxiety and shivering because of the temperature difference, but very soon i saw many people there were just like me. The emptiness was getting much greater, and as if there was a sound behind me telling to get use to the fact or you will have to suffer more.
I really enjoy spending an afternoon in the Southbank, let alone the Tate modern. Although it is getting much commercial, this thought is apparently came from the two popular solo exhibitions there( Yayoi Kusama and Damien Hirst), it still has a space to the public to get in touch with art( like the new space, tank), and most importantly for free. I was reminded HK is attempting to create a cultural space which is reference to the Southbank, for sure I have only disappointment and no expectation at all. Seeing those extremely tall luxury residences are being built up rapidly in such small city, art is seemingly the last thing to think about. I wonder how i can take a break or some fresh air between those skyscrapers here.
25.6.12
13.5.12
Tennis
I just love their music, especially her voice. And today i found out they have such great story behind. The vocal Alaina and the guitarist Patrick are married couple, and before they had formed the band, they went on a boat to sailing for 8 months, and returned on land, they decided to make music that inspired by their traveling.
I miss the sea and ocean so much...
4.5.12
Level2 Interrogating context writing
Mapping the mental perception in a space.
Perception
Pronunciation:
/pəˈsɛpʃ(ə)n/
noun
·
the ability
to see, hear, or become aware of something through the senses: the normal
limits to human perception
·
Psychology & Zoology the
neurophysiological processes, including memory, by which an organism becomes
aware of and interprets external stimuli.
·
the way in
which something is regarded, understood, or interpreted
In presenting context writing I mentioned about Repetition in relation to an approach to a new way of thinking. By describing different contexts, I shown how different senses can affect one’s perception; I suppose I was trying to say, repetition suggests time is no longer important but its existence. A new perception is extended from an autonomous perception. Which I have found its similarity to Buddhism thinking, but here I would like to focus on Carlo Bernardini’s work and using Buddhism as a lens to see his work, and open it up with questioning how does these affects the relation of the work and viewers’ perception.
“ Shadow and
light are visible, although both are formless. Shadow is the dark projection of
things. It occupies the other side of matter, increasing the perception of its
existence, while remaining evasive and uncontainable.”[1]
Carlo Bernardini has high awareness of the relation of ‘Light and shade’; shading enhances
objects’ existence, shadow tells us information of what it belongs to, take an
example of one of Bernardini’s work (the above pictures), ‘PROGRESSIVE CODE OF THE SPACE ‘2009 shows the relationship
between light and shadow, and transforming to the further stage: the mental
side of the artist, his perception of seeing in a space. The triangle electroluminescent surface and its shadow are
corresponding to each other within a shape, but the optic fibre ‘light lines’
are showing the ‘second visual condition’ that jumps out from the primary
vision (2D), giving viewers an infinite points of observation, that travels
perceptively around the space.
Benardini almost takes down every physical representation, using
light lines as the ‘betweener’ of light and shade, as it were, just like what
Buddhism believes its existence is located between the ‘Self’ and the nature.
Self means realization;“Whatever we see is changing, losing its
balance. The reason everything looks beautiful is because it is out of balance,
but its background is always in perfect harmony. This is how everything exists
in the realm of Buddha nature, losing its balance against a background of
perfect balance. So if you see things without realizing the background of
Buddha nature, everything appears to be in the form of suffering. But if you
understand the background of existence, you realize that suffering itself is
how we live, and how we extend our life.” [2]
The realization from the perception in Buddhism is an experimental approach to the understanding of the universe, in order to perceive everything from the emptiness, the beginning. It is an on-going life practice; we discover, understand, realize through experiences and most importantly, standing in a position that assuming not knowing at all. Similarly, Bernardini’s mysterious visual language is in a way showing the basic autonomous idea of light and shade; his own understanding of it is immaterial, attempting to approach the unknown area that is always existed invisibly. His works push against the limit of perceptions; a different position with different viewpoints, to see the whole view is to step outside of the work.
The realization from the perception in Buddhism is an experimental approach to the understanding of the universe, in order to perceive everything from the emptiness, the beginning. It is an on-going life practice; we discover, understand, realize through experiences and most importantly, standing in a position that assuming not knowing at all. Similarly, Bernardini’s mysterious visual language is in a way showing the basic autonomous idea of light and shade; his own understanding of it is immaterial, attempting to approach the unknown area that is always existed invisibly. His works push against the limit of perceptions; a different position with different viewpoints, to see the whole view is to step outside of the work.
He once stated that corresponding the above idea; “In the visual Language between us and that
part of us that emerges in image there is a no man’s land whose secrets we
endeavor to find out… In such conditions the intrinsic interest of the images
does not, therefore, lie in metaphorical or allusive aspects, but solely in its
purely visual value, beyond which there may be nothing.”[3]
This again shows that the notion of invisibility and thoughts provocative from
visual essences.
‘Division of visual unity’ 2000] intrigues me to investigate Bernardini’s
way of thinking, which based on his belief of art practice is not a ‘result’, a
river that never stops moving. His works is static but with a notion of dynamic
repetition, an endless journey from centripetal to centrifugal. ‘Division of
visual unity’ 2000 is a sculpture with stainless steel and optic fiber, the
former is visible by day and the latter is visible by night. At the moments when the sun becomes to
set, the work immerses into a piece; Bernardini is asking viewers to combine
the inner and outer as a whole, or to look at it from the external then moving
to the internal, Vise Vera, until when there is sunrise again, a relative
perception in terms of repetition. “ This
process of form fading to give birth to other forms is of course reversed at
sunrise”[4],
the artist has inserted a poetic and immaterial concept with the infinite rule
of nature within the work.
I found this similar to another medium: looping moving image; both of them are not mattering when you will see it, it matters if you stay longer with them, and realize something that are essential and the subtle changes, to gain knowledge from not knowing when is the start and the end. It is also playing around with the idea of expectation; Bernardini’s outdoor sculpture gives viewers different unique sensations, therefore every time the work looks different; since the work is located outside, with different sky, or amount of people, etc. Repetition provides infinite possibilities of interpretations; with a different context, the space becomes the environment. The particular point of observation is depending on the movement from viewers. “Every viewpoint becomes internal to the totality of the work: it may take in the global installation or close in on details of the structure with superimposition and fragmentation, possibly even losing sight of the whole.” This notion of being lost in an almost timeless and measureless space is somehow coincide with the emptiness idea in Buddhism. Every part of the work is a totality of itself and a totality as an installation; the artist is blurring the line between sculpture and installation, a sort of space in a space, this helps to approach to the mental endeavour of the artist.
I found this similar to another medium: looping moving image; both of them are not mattering when you will see it, it matters if you stay longer with them, and realize something that are essential and the subtle changes, to gain knowledge from not knowing when is the start and the end. It is also playing around with the idea of expectation; Bernardini’s outdoor sculpture gives viewers different unique sensations, therefore every time the work looks different; since the work is located outside, with different sky, or amount of people, etc. Repetition provides infinite possibilities of interpretations; with a different context, the space becomes the environment. The particular point of observation is depending on the movement from viewers. “Every viewpoint becomes internal to the totality of the work: it may take in the global installation or close in on details of the structure with superimposition and fragmentation, possibly even losing sight of the whole.” This notion of being lost in an almost timeless and measureless space is somehow coincide with the emptiness idea in Buddhism. Every part of the work is a totality of itself and a totality as an installation; the artist is blurring the line between sculpture and installation, a sort of space in a space, this helps to approach to the mental endeavour of the artist.
Light as the intangible source, it always exists with an object
and the shade. Bernardini takes away the physicality and shade, only leaves the
light in his work; thanks to the technology of optic fiber that looks like a
line is self- illuminated. I can imagine if I am in his installation ‘PROGRESSIVE CODE OF THE SPACE ‘2009, I will be
immersed in it and keep questioning myself how would those lines be lighten up,
and where are the light sources? Is it an illusory? I remember John Berge has
mentioned in his book ‘Ways of seeing’: “ We never look at just one thing, we
are always looking at the relation between things and ourselves.” [5]
If I were in the installation, can I see myself as the shade of those lights?
Or how should I address myself as an audience of the artist’s mental stage? If
I were the artist, how would I visualize my imagination to viewers? And how
would they visualize mine from the work I made? I suppose these questions would
most likely to be raised when I am out of the installation; an immersive
installation won’t let audiences to reflect or even think, it is a strictly
delivery of the artist visual, immaterial mind. We as viewers will only think
of those questions when we are out of it as we might start to have awareness of
once being lost; and the solution might be to try thinking like the artist, to engage
in the artist’s perception, and transforming it into ours. But in Bernardini’s
works, the perceptive options are open; this implies the interactive
opportunity of mental by physical movement or vision.
I suppose it never comes to an end when talking about a mental
situation, because it is always changing. Space affecting man’s feeling,
sensation physically and mentally; therefore perception is changed. Viewers
stepping into the installation, as if being mapped in the artist’s brain; walking
around and thinking the relation between themselves and the work, wondering
what will happen when stepping out of the work, would it change the way we see
in the reality?
“The viewer’s response to a work’s presence is sometimes dependent on the work’s familiarity, its resonance with our own experience. Yet it is also at times its unfamiliarity that has the most profound impact on our experience. “To some degree we become artists ourselves as we undertake this integration,” John Dewey tells us about perceiving something that stands beyond the realm of what we know. Through perception “our own experience is re-oriented.” And it is this experience that is “far more efficacious than the change effected by reasoning, because it enters directly into attitude.” Experience of art can be transformational experience.”[6]
“The viewer’s response to a work’s presence is sometimes dependent on the work’s familiarity, its resonance with our own experience. Yet it is also at times its unfamiliarity that has the most profound impact on our experience. “To some degree we become artists ourselves as we undertake this integration,” John Dewey tells us about perceiving something that stands beyond the realm of what we know. Through perception “our own experience is re-oriented.” And it is this experience that is “far more efficacious than the change effected by reasoning, because it enters directly into attitude.” Experience of art can be transformational experience.”[6]
To refer back to the Buddhism thinking, to achieve a greater thinking
is to go beyond the physicality and the experiences; experiences can tell us
what are the mistakes we wouldn’t want to make again. The area is very far away
from the reality, but the practice of us or like art practice of artists can
help us to go closer or get to the direction to it. What Bernardini is making
is only the process to an unknown mental stage that his intuition drives.
Bibliography
Bass. J and Jacob M, 2004, Buddha Mind in Contemporary Art, University of
Carlifornia Press
Berge. J, 1972Ways of seeing, BBC
O.F Bollnow, 2011 Human Space, Hyphen Press
Artist Writing, http://www.carlobernardini.it/File_uk/TESTI_INGLESE/WRITINGS_OF_CARLO_BERNARDINI.pdf
[accessed on 2.4.2012]
Critical Essays,
http://www.carlobernardini.it/File_uk/TESTI_INGLESE/CRITICAL_ESSAYS.pdf
[accessed on 2.4.2012]
Cora. B, 2009, Carlo Bernardini: Space Designed by light
Caramel. L, 2006, The other side. The perception of the invisible
and the immaterial
Ferrario. R, 2003, Light works/Light sculptures
Perilli. N,2003 Light system
標籤：
假文藝作品My Art,
有關偽藝Art
maya lin, the art of landscape
 |
http://www.mayalin.com/ |
 |
| 摩摩愛人 |
she is the niece of linhuiyin, who is said to be the first female architect in China.
i just like the way she talks, calm, powerful and confident
i find her way of obsessing in earth curvature, (cause technically we as human can't see it, like a flat global), is so similar with James Turrell's idea of viewing the landscape as if it is a curve physically,
it is playing with the perception of how we see the nature and how is it so different from its actual appearance.
 |
| James Turrell The Carter Lip |
James Turrell creates a circular frame for us to view the sky
sometime when i look at the map too much, i will easily forget the earth is a globe, a ball, this idea is so fascinating to me, we as human, create map to make our lives more convenient, but in a way, we changed the whole thing of the earth, we put our perception on it, but what if we are all in the universe?
like astronauts, they fly up to the universe and view the planet as a real and original form.
i really thanks James and Maya to remind me that they are not as what we see they are.
like astronauts, they fly up to the universe and view the planet as a real and original form.
i really thanks James and Maya to remind me that they are not as what we see they are.
標籤：
建築::Architecture,
有關偽藝Art
25.3.12
夏令來了 但是鼻塞聞不到太陽的味道
今日時間又鬼鬼祟祟地快溜了一個小時
昨日病昏午睡的時間 天還亮 窗正開著 蒙蒙糊糊以為自己在香港的家中
有點像因頻換房間睡覺 張眼望天花板 花大概一秒多去認清自己在哪
電影對白也經常出現如 燈 嗯 書架 嗯 杯 嗯 everything is checked i am in my bloody room
通常如果隔離有人 就不會那樣混肴
其實有時這樣小小故事重組 好好笑 我從未試過飲醉斷片 我想大概好似上面所講那樣吧
daylight saving time so from now on i have lost an hour on every day or have i actually had
the extra hour at all?
so much things to do, so little time///////////
昨日病昏午睡的時間 天還亮 窗正開著 蒙蒙糊糊以為自己在香港的家中
有點像因頻換房間睡覺 張眼望天花板 花大概一秒多去認清自己在哪
電影對白也經常出現如 燈 嗯 書架 嗯 杯 嗯 everything is checked i am in my bloody room
通常如果隔離有人 就不會那樣混肴
其實有時這樣小小故事重組 好好笑 我從未試過飲醉斷片 我想大概好似上面所講那樣吧
daylight saving time so from now on i have lost an hour on every day or have i actually had
the extra hour at all?
so much things to do, so little time///////////
14.3.12
Self illumination//Self realisation
Self
illumination//Self realisation
Video
projections, wood sculptures
2012
Dorothy
Fu
An
endless night
There
is a hang Rhythm
Prolong
the lives of fireflies
Syzygy
By
looking at the side view of Sy, Zy, Gy
I
realise
I
illuminate
標籤：
假文藝作品My Art
11.3.12
胡說一通, 嘗試用文字將它形容出來
不知在什麼時候 我對一種莫名的感覺感到興奮
它大多是在我失落過後 又或是一個人在發呆的時候出現
但是最令我對它著迷通常是在悲痛過後
只是數秒的畫面 例如我在火車車廂裡凝視車廂中的物件 配合車外飛奔的風景
我仿彿覺得時間停頓 有一股超強的安全感包圍著我 它是氾濫的 令我不禁全身雞皮疙瘩
在那瞬間後 我只知道原來當世事萬物變幻無窮之際 靜物們告訴我 有些事和物是不會變的
也許那就是我自身 自身還健在 就懂得欣賞失落與痛苦的美麗
佛學說所的世界就是這無邊無際的空間 無始無終的時間 無量無數的眾生 悉依因果法則而生而有變而滅
我發覺我對這種好玄 好虛無的東西著迷 甚至有些上了癮 亢奮的感覺
每次都想把這種感覺留長一點 今晚又出現了一次 奈何每次只出現幾秒
那怕只是數秒 也就成了我下秒繼續下去的推動力
可笑的是 失落愈大 這種有如離心力般的亢奮感就愈大
有一點變態地想一直自甘墮落下去
反正花會開到荼蘼 高潮過後一片死寂 但若世界就如佛般說
無始無終 世界一大循環 又有什麼是可怕的 終結就是開始
等如我覺得我的樂觀是由於我的悲觀 若不明白黑色的黑 又怎能了解白色的白
人們覺得荼蘼是美麗及獨特 就是因為它懂得寂寞 它選擇在花季的最後才開花
勇敢地表現自己心知明白世界的因果法則而活下去 我就是喜歡它那種淒美的姿態
它大多是在我失落過後 又或是一個人在發呆的時候出現
但是最令我對它著迷通常是在悲痛過後
只是數秒的畫面 例如我在火車車廂裡凝視車廂中的物件 配合車外飛奔的風景
我仿彿覺得時間停頓 有一股超強的安全感包圍著我 它是氾濫的 令我不禁全身雞皮疙瘩
在那瞬間後 我只知道原來當世事萬物變幻無窮之際 靜物們告訴我 有些事和物是不會變的
也許那就是我自身 自身還健在 就懂得欣賞失落與痛苦的美麗
佛學說所的世界就是這無邊無際的空間 無始無終的時間 無量無數的眾生 悉依因果法則而生而有變而滅
我發覺我對這種好玄 好虛無的東西著迷 甚至有些上了癮 亢奮的感覺
每次都想把這種感覺留長一點 今晚又出現了一次 奈何每次只出現幾秒
那怕只是數秒 也就成了我下秒繼續下去的推動力
可笑的是 失落愈大 這種有如離心力般的亢奮感就愈大
有一點變態地想一直自甘墮落下去
反正花會開到荼蘼 高潮過後一片死寂 但若世界就如佛般說
無始無終 世界一大循環 又有什麼是可怕的 終結就是開始
等如我覺得我的樂觀是由於我的悲觀 若不明白黑色的黑 又怎能了解白色的白
人們覺得荼蘼是美麗及獨特 就是因為它懂得寂寞 它選擇在花季的最後才開花
勇敢地表現自己心知明白世界的因果法則而活下去 我就是喜歡它那種淒美的姿態
8.3.12
as if the way i look at you
輕輕地一筆一筆素畫你地頭髮
寶貝你的眼睛目不轉晴地望著我
as if the way i look at you
寶貝你的眼睛目不轉晴地望著我
as if the way i look at you
畫時狂LOOP這首 管他腦袋閉塞
標籤：
假文藝作品My Art
24.2.12
i saw these art today in Eastside Project
 |
| Corridor Plateau---Kunstverein Scherte ///COOL vinyl sound and drawings/painting installation |
 |
| this is an office space, yes i know, it is AWESOME especially their pantry!! ///Eastside Projects |
 |
| Untitled 2011/// Barry McGee |
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| Bleeding Heart2010///Mark Handforth |
 |
| Add caption |
 |
| fluorescent chandelier |
22.2.12
7.2.12
11.1.12
9.1.12
i did try wonder why
this is a very good tune from a Taiwan band Nintendo Generation Blues
it is in English
enjoy*
6.1.12
In the cats' manner of speaking
I have never felt so strongly to write this blog, this time i want to speak for cats.
I can't be so proud to call myself a cat lover, in my life, i have met people who are truly cat lover that devote their times to keep its life and give their love, but also very unfortunately, i have met people who are the opposite. well, not necessarily cats, for example dogs(e.g a very handsome husky)* or any pets.
People who are not the "true" cat lovers as i have quoted, they treats cats as entertainment, something can keep their company without ever equally think about they would have their own lives and futures as human being.
How ironically, i know a very young husky was died of an unknown reason.. since the couple(its owner) has broke up, while i know 3 rather old husky dogs from where i lived in HK, that i often saw their owners took them for a walk... as i can remember i have seen these dogs many years ago, i have grown and so do they. Anyway, keeping husky dog is a pretty bad idea as the weather in HK is sickly hot and warm...but i can see those husky keepers are very responsible(probably not), but to be fair....
Here I am talking about animal rights.
Once i was so selfishly thinking to have a cat as my company, i even convinced my sister to have one since she has her new apartment with her husband, well, she turned me down, she said she wouldn't let her cat to wait for her alone at home, and do nothing when she is so tired back from work, this is just simply not love.
I can agree no more with her. Having a cat/cats, is a commitment, i am sure a 3 year old kid can understand it. You have to ensure you are able to take care of your pets, until they die.
And this is not just about passing them to someone else, or leaving them in charity, when you are no longer 'available' to look after them,
i see no difference between them, this is just abandon.
If you are not that sure, why won't you just leave the idea of having pets?!
Animals are lives. They have feeling, as well as memories.
I have met some ladies from where i live in HK, they are taking cares of some wild cats who were being victims of wild dogs and some brutal, heartless gangs. One of the ladies goes to the place where one of those cats- 'mike mike', in order to leave him some clean water and canned food, every day, even whenever it is a rainy day or a day has typhoon. She never stops doing that. I believe this is love. She never wanted to take him away but constantly keeping him alive.
I simply hate the fact that cats are so vulnerable, people can just pay for one, or grab them from charity or from the street. My point is, i can understand those who really love cats and having one currently, but i won't be happy if they can't guarantee of taking care of them forever. I only wish they can be more thoughtful and understanding the fact of not knowing what will happen in the future, so please just don't make a false promise.
This is not love.
All of a sudden, this expression of mine reminds me of a guy who had sent me an email saying how he felt annoyed by people these days... who only looked at iphones in the underground, kind of losing their own true feelings and connections with the others, as if they have forgotten they are living in the reality... with real people.
I replied him as i don't agree with the most as i reckon people who are obsessed with those electronic items and Internet, is in fact they want to be connected with the world, they are all lonely. But now, i have changed my mind, i was so wrong. i was being blind as i was just nothing but one of them pathetically. I did care if people like my stuff on facebook, but i know, as i always have known, i don't live for those' like'.
I used to delete something i don't like or i don't want to be in touched with, i will press the delete buttons on my laptop or phone, whatever that has a delete button. I thought this is the best way to keep away from something. However, this is just not working to me, this is stupid!
I have memory, just fucking simply because i have a brain. Sometime things are not just you can press a delete button to get rid of, it is actually time, when time gets by, you move on, those so called bad memories become good in terms of experiences.
And i will always remember everything is changing, but the feeling from my heart to myself shall never change. This is the same to how i treats cats. I love them, so i ll never make promises to them, and i will never let them down, they will still bounce and sleep and meow without me,i believe. :)
Everybody is lonely, but there are so many choices to get rid of loneliness moments, just don't play around little animal's lives, even if you think they don't have hearts.
p.s this cat in the advert is so cute^^
I can't be so proud to call myself a cat lover, in my life, i have met people who are truly cat lover that devote their times to keep its life and give their love, but also very unfortunately, i have met people who are the opposite. well, not necessarily cats, for example dogs(e.g a very handsome husky)* or any pets.
People who are not the "true" cat lovers as i have quoted, they treats cats as entertainment, something can keep their company without ever equally think about they would have their own lives and futures as human being.
How ironically, i know a very young husky was died of an unknown reason.. since the couple(its owner) has broke up, while i know 3 rather old husky dogs from where i lived in HK, that i often saw their owners took them for a walk... as i can remember i have seen these dogs many years ago, i have grown and so do they. Anyway, keeping husky dog is a pretty bad idea as the weather in HK is sickly hot and warm...but i can see those husky keepers are very responsible(probably not), but to be fair....
Here I am talking about animal rights.
Once i was so selfishly thinking to have a cat as my company, i even convinced my sister to have one since she has her new apartment with her husband, well, she turned me down, she said she wouldn't let her cat to wait for her alone at home, and do nothing when she is so tired back from work, this is just simply not love.
I can agree no more with her. Having a cat/cats, is a commitment, i am sure a 3 year old kid can understand it. You have to ensure you are able to take care of your pets, until they die.
And this is not just about passing them to someone else, or leaving them in charity, when you are no longer 'available' to look after them,
i see no difference between them, this is just abandon.
If you are not that sure, why won't you just leave the idea of having pets?!
Animals are lives. They have feeling, as well as memories.
I have met some ladies from where i live in HK, they are taking cares of some wild cats who were being victims of wild dogs and some brutal, heartless gangs. One of the ladies goes to the place where one of those cats- 'mike mike', in order to leave him some clean water and canned food, every day, even whenever it is a rainy day or a day has typhoon. She never stops doing that. I believe this is love. She never wanted to take him away but constantly keeping him alive.
I simply hate the fact that cats are so vulnerable, people can just pay for one, or grab them from charity or from the street. My point is, i can understand those who really love cats and having one currently, but i won't be happy if they can't guarantee of taking care of them forever. I only wish they can be more thoughtful and understanding the fact of not knowing what will happen in the future, so please just don't make a false promise.
This is not love.
All of a sudden, this expression of mine reminds me of a guy who had sent me an email saying how he felt annoyed by people these days... who only looked at iphones in the underground, kind of losing their own true feelings and connections with the others, as if they have forgotten they are living in the reality... with real people.
I replied him as i don't agree with the most as i reckon people who are obsessed with those electronic items and Internet, is in fact they want to be connected with the world, they are all lonely. But now, i have changed my mind, i was so wrong. i was being blind as i was just nothing but one of them pathetically. I did care if people like my stuff on facebook, but i know, as i always have known, i don't live for those' like'.
I used to delete something i don't like or i don't want to be in touched with, i will press the delete buttons on my laptop or phone, whatever that has a delete button. I thought this is the best way to keep away from something. However, this is just not working to me, this is stupid!
I have memory, just fucking simply because i have a brain. Sometime things are not just you can press a delete button to get rid of, it is actually time, when time gets by, you move on, those so called bad memories become good in terms of experiences.
And i will always remember everything is changing, but the feeling from my heart to myself shall never change. This is the same to how i treats cats. I love them, so i ll never make promises to them, and i will never let them down, they will still bounce and sleep and meow without me,i believe. :)
Everybody is lonely, but there are so many choices to get rid of loneliness moments, just don't play around little animal's lives, even if you think they don't have hearts.
p.s this cat in the advert is so cute^^
1.1.12
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