Showing posts with label 電光幻影Films. Show all posts
Showing posts with label 電光幻影Films. Show all posts
24.10.11
My 2 experimental sound pieces inspired by Jean-Luc Godard
Qu'est-le que c'est degueulasse? by doro fu
One of the most important New Wave movie A bout de souffle(1960) and it is my favourite movie,
i recorded the last scene which it is the most controversial one, Michel(the car thief) threw a cruel comment just before he died to Patricia, the girl who actually called the police so Michel got shot when he was escaping. A man was being betrayed and even 'killed' by a sweetheart.
I re-edited the conversation and added a intensive drum soundtrack indicating the heartbeat of Michel while emphasizing the word: dégueulasse
Je suis vraiment dégueulasse
- Qu'est ce qu'il a dit ?
- Il a dit : "vous êtes vraiment une dégueulasse"
- Qu'est-ce que c'est "dégueulasse"
Michel:"Life's a bitch."
Patricia:"What did he say?"
Police: "He said,'You're a bitch.' (déguellasse)"
Patrica:"What's a déguellasse?"
déguellasse in French is meaning discussing it is an expression
but what is the real meaning of it for Michel or Patricia.. nobody knows...
Qu'est ce que je peux faire?Je sais pas quoi faire! by doro fu
I selected the famous line of Anna Karina as Marianne Renoir in the movie- Pierrot le fou
by Jean-Luc Godard in 1965.
The metronome intercrossed with my breathe, with the guitar and subtle keyboard tones and intensive effect of the conversation, this gives me a moment to reflect what am i doing and do i really wanna know.
Marianne Renoir: Qu'est ce que je peux fairs? Je sais pas quoi faire!!!
(In English: What am I going to do? I I don't know what to do!!!)
http://soundcloud.com/ doro-fu
23.10.11
A system
Could our life system be like this? sorry my brain is so full of triangles these days probably it is permanent... every day i keep thinking relationship between 3 different stuff// have been thinking why is it so contradicted to make a equal triangle hallow sculpture which has to be perfect while it sounds so easy and simple
apparently i am now trying to keep a visual diary here....
trying to keep things in three lol
today's main 3 stuff go to... 1. Human space 2. Submarine 3. a perfume that can't be sprayed
A very interesting part i have read in Human space by O.F Bollnow today
very precisely i recall page.88, The foreign:
.....Nietzsche recognized this very clearly in the second of his Thoughts out of seasons. "A living thing" , he writes," can only be healthy, strong and productive with a certain horizon: if it be incapable of drawing on round itself.. it will come to an untimely end. Cheerfulness, a good conscience, belief in the future, the joyful deed, all depend... on there being a line the divides the visible and clear from vague and shadowy. Nietzsche then applies this particular to his relationship with his own past, and it serves to escape from an excess of historical knowledge, but it is also, and even primarily, true of human relationships between what's one own and what is foreign. Nietasche adopts the geographical concept of the horizon in a figurative sense in order to describe this demarcation from an excess of foreignness.
What i interpret from that is there is always a line between different sort of things, but of course there is connection between them, however primarily they are always individuals.
this is what i am intrigued by tonight^^
Bonne nuit
apparently i am now trying to keep a visual diary here....
trying to keep things in three lol
today's main 3 stuff go to... 1. Human space 2. Submarine 3. a perfume that can't be sprayed
A very interesting part i have read in Human space by O.F Bollnow today
very precisely i recall page.88, The foreign:
.....Nietzsche recognized this very clearly in the second of his Thoughts out of seasons. "A living thing" , he writes," can only be healthy, strong and productive with a certain horizon: if it be incapable of drawing on round itself.. it will come to an untimely end. Cheerfulness, a good conscience, belief in the future, the joyful deed, all depend... on there being a line the divides the visible and clear from vague and shadowy. Nietzsche then applies this particular to his relationship with his own past, and it serves to escape from an excess of historical knowledge, but it is also, and even primarily, true of human relationships between what's one own and what is foreign. Nietasche adopts the geographical concept of the horizon in a figurative sense in order to describe this demarcation from an excess of foreignness.
What i interpret from that is there is always a line between different sort of things, but of course there is connection between them, however primarily they are always individuals.
this is what i am intrigued by tonight^^
Bonne nuit
16.9.11
22.7.11
迷幻列車:choose your future.choose life.
當然吸毒對我僅是會在電影裡出現 而Trainspotting 真的把吸毒過程拍得很真實
OST 一個字:正 電影真是太英國了 就是因為那些似火星語的蘇格蘭口音及那些去PUB飲酒 口水橫飛 CLUB場找今晚獵物 等等 配以Blur///New order//Joy Division//etc. 襯爆 一味懶佬調皮憤世嫉俗
我的分析: 主角有小聰明 衰好運 家中雙親不離不棄 獲美少女點醒 世界萬物皆在變化 在所謂的好友中極其空虛 及早脫離 自立門戶 恭喜發財 做人要帶點壞 帶點良心 好讓其他人還相信好人有好報
27.6.11
墜落天使 王家衛 一九九五年
第一次看完王家衛的墜落天使 處處都佈滿重慶森林的影子
在這套戲中 我最喜歡的一段是金城武扮演一名啞吧與楊采妮扮演失戀女子
我很喜歡以上的對白
"當我看見她時 我覺得自己好像一家店
而她就是我
不知不感間 她走進了我這家店
我不知道她會留多久
當然愈久愈好"
只可是在這世界上有太多店了 有時會一廂情願進錯了店買錯了衫
有時候會盲目地入了相似的商店買了相似的衫
有時候會入了試一試不買就走
其實到頭來又何嘗不是一場空
因此做人要像片中的李嘉欣懂得怎樣自尋開心
19.5.11
親愛的ALEX TURNER唱出小男孩想快點破人處的慾望
英國近期獨立電影SUBMARINE 講述一個天資聰敏威爾斯15歲男生如何要得到班上心儀女孩的童貞以及阻止他媽媽與別人搞上不倫戀
根本他們倆個都是怪人 我非常喜歡電影低成本的感覺 最重要的是有一個迷人的原聲
由ARCTIC MONKEYS主音ALEX TURNER主唱六首歌曲 全都很富感情 很柔和 很有詩意
他的懶懶閒聲音與他的木結他 真是絕配
Submarine(2010)
Director: Richard Ayoade
Cast: Craig Roberts
Yasmin Paige
Sally Hawkins
Paddy Considine
30.4.11
25.4.11
看完挪威的森林的衝動
有一種想觸摸你耳後碎髮的衝動
有一種想用眼睫毛掃動你鼻子的衝動
有一種想被你強大的雙手包圍我腰肢的衝動
有一種想用舌頭探索你不敢開口的秘密的衝動
有一種想用鼻子從你身後呼吸你微溫氣息的衝動
有一種想用手指頭跟著你唇上乾痕跡找回方向的衝動
有一種想在你眼裡看見自己的衝動
17.4.11
14.4.11
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